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Ofcom clears C4 over its ‘deepfake’ Queen message during festive broadcast

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Ofcom clears C4 over its ‘deepfake’ Queen message during festive broadcast that sparked 350 complaints

  • Media regulator has decided not to investigate the 354 broadcast complaints  
  • Deepfake technology uses artificial intelligence to alter people’s faces in videos 
  • Ofcome said Channel 4 made it clear the images were ‘deliberately manipulated

Ofcom will take no further action against Channel 4 after the broadcaster sparked hundreds of complaints when it used a digitally created ‘deepfake’ version of the Queen’s annual festive message.

Yesterday it was revealed that the media regulator has decided not to investigate the 354 complaints it received about the Christmas Day broadcast. 

Deepfake technology uses artificial intelligence to alter people’s faces in videos.

Ofcom will take no further action against Channel 4 after the broadcaster sparked hundreds of complaints when it used a digitally created ‘deepfake’ version of the Queen’s annual festive message

Yesterday it was revealed that the media regulator has decided not to investigate the 354 complaints it received about the Christmas Day broadcast

Yesterday it was revealed that the media regulator has decided not to investigate the 354 complaints it received about the Christmas Day broadcast

Ofcom said Channel 4 had made it clear the images were ‘deliberately manipulated’. 

The decision to broadcast the fake version of the Queen sparked anger with one former Tory councillor calling the move ‘incredibly irresponsible’.

The sketch included jibes aimed at the Duke of York’s links to sex offender Jeffrey Epstein. 

Deepfake technology uses artificial intelligence to alter people's faces in videos

Deepfake technology uses artificial intelligence to alter people’s faces in videos

A spokesman for Ofcom said: ‘We assessed complaints from viewers who felt that this programme was disrespectful to the Queen.

‘In our view, Channel 4 made clear that the images were deliberately manipulated as a device to question societal trust in what we see online.

‘We also consider that the satirical tone of the film was in keeping with audience expectations of this broadcaster.’ 

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