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The Frick and Modernism, Perfect Together | National Review

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NRPLUS MEMBER ARTICLE

D
oes great art have an aura? I’m a frosty Yankee, but I’m an art historian, too, and not beyond believing in magic. I’ve yet to see a painting glow, aside from having inspired lighting, but many of the works on the walls at the new Frick on Madison Avenue do more than that. They command my attention. The portraits especially are alive and insistent in a way I never experienced them at the mansion on 70th Street. Now set against gray walls, with bluestone floors, sometimes parquet, at their feet, and suspended, concrete grid ceilings above them, and all clutter



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